The world is a theater! Tribes and nations of the world are called and pulled in this theater for a charming and magnificent performance, for a universal show made of many epoch-making pictures, events and interludes. Greatness and grandeur of this theater affects ordinary human imagination, therefore ordinary people can’t survey this theater neither taking a detached view nor looking from the inside. Human imagination snatches only very attractive pieces out of this immensity, but those fragments are so striking that the whole life is spent on reviewing and trying to comprehend them. The main point is that the theater is so skillfully woven from architectural ensemble of light, colors, sounds and direct plays so that a person is rolled in and dissolved in magic. He loses himself; he does not belong to himself, it is impossible to get out of it unless someone who is stronger than the magic of the theater takes him out. Indeed, how can a man get out of it if the theater and all of its shows are the life itself and the meaning of man’s existence; if a man knows nothing more and does not want to know anything more, if everything that surrounds him and what he stays in is consistent with him and is adequate at least to one of his entities?! In a phrase, when a man enters this world, he enters a majestic temple of charm. Won’t he really hasten to get out of it?

But theater is theater. Some people as the most gifted of men, stage skillful shows, some of the people who are involved participate in theatrical acts, and some of the people, who are the majority, are watching these skillful theatrical performances. This last mentioned majority is located in the auditorium, and, closer to the stage are those frequenters who are more predisposed to the creators. The gallery of the theater is left for sweepings and trash of the humanity. In general, there is a hierarchy of humanity, lawful distribution of places and roles. The stage also has its own laws. There is one show on the foreground and the actors play in certain, more evident way, which is apparent and approached to the audience. In the back of the stage there is a different play and there are used different means of affecting the audience. There are more associations, imagery and mystery. But there is also a side-scene and which is more important, - behind the scenes’ work, with a lot of people acting and leading the entire theater, all of the dramatized acts from the very concept to a realization for a particular purpose. This behind the scenes work is generally hidden from people and many tools and powers of charm, thanks to which the play turns out to be skillful and effective for the audience, are actually outside the attention and consciousness of ordinary people. These powers and means of deception are the prerogative of the individual charm of the creators, or magi. They and only they know what they are doing, where they go themselves and where they lead the masses.

Only they know what decorations should be set, what color they should be, how to dress the actors, how to make them speak and move, how to achieve the effects of art hypnosis on the audience. Magi-ideologues, magi-scriptwriters, magi-stage directors, magi-artists, magi-musicians, magi-actors. Many other functionaries of the theater, making all the shows move, also have high professional skills, but the powers and means of charming influence belong to the first. Ideas and plans for future productions are incubated in the "the holy of holies" of the theater, which is separated from the auditorium by the insurmountable curtains - the wings. The elite of mankind can be found in the "holy of holies".

In the same place, behind the scenes, in the kitchen of the theater, they thoroughly prepare spiritual food made of decorations, sounds, colors, words and movements of equipment and live stock. At a certain hour, from time to time and with all consistency the barkers and heralds of the theater draw attention of new masses to the performance. Masses in an accustomed way and submissively gather to their places, the music plays, the lights go out and the meal which is the show, as the only decent food is served to the masses of people. Often, according to the scenario, the masses of people from the audience are led into a theatrical act, as if they were actors, functionaries of the theater, however, they are absolutely ignorant of the secret purposes of the play. Often, professional actors-magi go down, condescend to the auditorium, creating the illusion of unity and accessibility for all visitors to the kitchen of creativity. But talk about accessibility and unity when the audience, which is the majority, are always payers for the entrance, and the creators of the theater as an elitist minority are consumers of these fees. Actually, this is the whole secret and the meaning of the theater division by the wings, the division of it into the artists and audiences. What kind of unity and creativity available to the masses can we talk about if their perception can only grasp a foreground, a stage and decorations, while the cuisine and the "holy of holies" of the theater are carefully protected from them.

It is not a word for it to say that for the most people to see only a visible part of the theater and performances means to see and understand only a small materialized and explicable part of the basic idea of the play. Secret forces that affect them are always inexplicable to them, forces that keep their mind and senses lifelong captured by secret purposes of the above mentioned magi. Who of the people can see that the theater is a temple of magic, and they (people) are life-long-addicts? Besides, I must say that by the will of the first magi of the theater, the performances are made that are not corresponding to reality, or to be more precise, the reality is fed to the masses of people in a distorted manner, making the true picture of the world latent, while a theatrical performance is perceived by the masses as true reality. However, theater magi themselves are enchanted by the temple. Deception and drunkenness are the lot of all who come in and go out of it.